Original post here. Swiss artist Camille Medardus Hagner (b. 1961) has a website here. Original text:
Camille Hagner
Original post here. Image is a movie promotional post (or lobby card) that contains the text “Nothing that has gone before can compare with this. Right at you! The hand is on your throat… Right at you! This kiss is on your lips… Right at you! The horror that chills the spine! Beauty and Terror meet in your seat…as every thrill of its story comes off the screen right at you in NaturalVision. 3 Dimension. Warner Bros. bring you the first feature produced by a major studio in 3D! ‘House of Wax’ Starring Vincent Price, Frank Lovejoy, Phyllis Kirk, Carolyn Jones, Paul Picerni. Written by Crane Wilbur. Produced by Brian Foy. Directed by André de Toth.” Original text:
House of Wax
Original post here. Sourced on tumblr to here.
Yet another cover crop, this one from an Italian comic called Naga. Entries at ComicVine enable us to see the uncropped cover.
The title of the issue is “Venduta come schiava,” “sold as a slave.” Why she’s being fed to sharks is unclear — perhaps she was an unsatisfactory slave.
Original post here. This appears to be a screencap from the 1984 horror film A Nightmare on Elm Street. Sourced on tumblr to daysrunaway via vixensandmonsters.
Original post here. Sourced on tumblr to dollmeat7.
The tubmlr version was lacking provenance, but this appears to be a crop from a cover from a long series called Unheimliche Grusels von Dan Shocker, in this case on entitled “Dr. Satanas — Herr der skelete.” Here is the uncropped version.
Found in a big gallery of similar covers here.
Original post here. Original text:
I’m rooting for the shark…
This image appeared on tumblr without provenance, but a little bit of searching brought up an image from an Ebay page which showed (along with a bit of vandalism done by Ebay) that it is a crop of a cover from an Italian adult comic called Isabella: la gioia della vendetta..
Original post here. Image is a pulp cover with the text “Spicy Mystery. The Persuader by Robert A. Garron.” Sourced via singoshibari. Original text:
January 1941